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So now, basically, I want to get all of these frames,

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each one of these frames,

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into each layer basically into its right position,

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keeping all the layers intact,

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just the way they are.

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So I'm going to select all of those layers and just so I can see where this is supposed to go,

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I come down here and turn on that one background layer and I can use that as a positioning

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device just for,

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because that's really all that layer one is for,

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just showing the position

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of this background image.

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Again, you know, if I turn off these images up here,

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we see that that's the placement

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and it was based on the placement that we saw here.

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I can go back up here,

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turn these on,

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and because I've got all of these layers selected,

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press Command T,

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essentially groups them all together,

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it doesn't group them,

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but it connects them all together so that when I rotate,

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everything is rotating at the same time.

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I'm basically just going to put it right into the position of the other one, the one underneath.

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It looks like it did.

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Deselect.

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And if I turn these off,

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it's exact same position.

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So again, I can turn off this background

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and just turn on these top layers and I see them all.

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So these layers basically can come in one, two,

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three,

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four, like that.

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Kind of interesting, right?

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And it might even be interesting later on in the animation to do something

35
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where these two insect colors move together and then move apart.

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One more thing I just want to do,

37
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just to see what's going to happen here,

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if I can create a little bit more value change in between these two colors.

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I kind of like that in a way.

40
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It's a little bit of sort of a fuzziness to it.

41
00:02:17,360 --> 00:02:21,080
The contrast on the green side between the green and the inside square is much greater

42
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than the contrast of value on the red side.

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The insect color and the red are very similar in value.

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So the contrast is low.

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The value of the contrast is low.

46
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The hue contrast is high,

47
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but the value contrast is low.

48
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So we don't see a whole lot of definition along this edge.

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The green side has much more definition on this edge because the value contrast is higher.

50
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So I'm just going to duplicate this layer,

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layer four, the red layer,

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and just see what happens if I change the color a little bit.

53
00:02:56,440 --> 00:02:58,780
So I can go up to image now,

54
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go to adjustments,

55
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brightness, contrast, hue, saturation.

56
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Let's just try this hue saturation and see what happens if I change the saturation slightly.

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So now I'm bringing the saturation of that up.

58
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It actually makes this inside color look

59
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a little bit more green, right?

60
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That's too much.

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00:03:22,200 --> 00:03:24,580
But we also want the insect color on

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the green side still to look like the red background.

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So if I saturate the red too much,

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it's going to lose that sensation.

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So I'm just going to bring it up just a little bit plus 10.

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And to see the difference,

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I'll just toggle between the layers.

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There's the original layer.

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There's the new layer.

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Just slight difference.

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Very, very slight difference.

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I'll do the same thing with the green.

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Duplicate the green layer and just see what happens if I go up to adjustments,

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go down to hue, saturation,

75
00:04:04,260 --> 00:04:07,080
and bring the saturation up again to about 10.

76
00:04:09,680 --> 00:04:13,760
Actually on this side,

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00:04:13,840 --> 00:04:18,080
it's pretty interesting how I can bring the saturation of the green way up.

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00:04:20,500 --> 00:04:26,920
I don't want to go too far again because I still want that insect rectangle

79
00:04:26,920 --> 00:04:32,800
on the red side and the green background on the right side to look similar.

80
00:04:34,500 --> 00:04:36,720
This is pretty close right here.

81
00:04:37,960 --> 00:04:38,760
That's pretty nice.

82
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Maybe a little bit less.

83
00:04:41,480 --> 00:04:44,140
Okay, we'll try that again

84
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just to see the difference.

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Very subtle.

86
00:04:47,580 --> 00:04:52,560
So I'm going to get rid of the first green layer just so

87
00:04:52,560 --> 00:04:53,400
I don't have it.

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Get rid of this one as well.

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The first red layer.

90
00:05:00,340 --> 00:05:02,460
Yeah, just to kind of clean things up.

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00:05:03,000 --> 00:05:05,820
And I no longer need this layer here,

92
00:05:06,180 --> 00:05:07,920
but I'm just going to keep it around.

93
00:05:08,000 --> 00:05:08,500
So I'm going to drag

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00:05:08,500 --> 00:05:10,160
it down underneath my background.

95
00:05:11,660 --> 00:05:17,260
Same thing with this placement layer.

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00:05:17,340 --> 00:05:18,200
I'll drag that down.

97
00:05:18,820 --> 00:05:22,160
Same thing with the sketch layer.

98
00:05:22,260 --> 00:05:22,840
Drag that down.

99
00:05:22,940 --> 00:05:24,280
So now all I have on top,

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00:05:24,720 --> 00:05:29,540
I have the gray background, which is this.

101
00:05:30,140 --> 00:05:32,320
I have the red layer here.

102
00:05:33,020 --> 00:05:34,120
I have the green layer.

103
00:05:34,700 --> 00:05:36,520
And then I have the two insect

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00:05:36,640 --> 00:05:37,720
colors on their own layers.

105
00:05:38,800 --> 00:05:39,640
I'm going to save this.

106
00:05:40,300 --> 00:05:44,760
This is my image and add typography to this.

107
00:05:45,240 --> 00:05:47,300
But just in terms of its essential quality,

108
00:05:47,620 --> 00:05:49,160
I think it's in pretty good shape.

109
00:05:49,720 --> 00:05:50,680
When I add the type,

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I may want to change the size of the image,

111
00:05:54,080 --> 00:05:55,020
but I won't know that

112
00:05:55,020 --> 00:05:56,040
until I add the type.

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00:05:56,580 --> 00:05:57,960
But basically, it's here.

114
00:05:58,580 --> 00:06:02,360
And it does roughly follow that image of the sketch.

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Save that.

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00:06:06,900 --> 00:06:09,000
Okay, I think that's it for this.

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Now we're going to go on to making the other image,

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which is the illusion of transparency and do a similar thing with that

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on its own poster.

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So we're going to end up with two images,

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two different posters,

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and then we'll work on the type treatments following that.

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In this lesson, we developed a piece of work that demonstrates simultaneous contrast.

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In the next lesson,

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we'll develop another image that demonstrates the illusion of transparency.

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♪