So now, basically, I want to get all of these frames,
each one of these frames,
into each layer basically into its right position,
keeping all the layers intact,
just the way they are.
So I'm going to select all of those layers and just so I can see where this is supposed to go,
I come down here and turn on that one background layer and I can use that as a positioning
device just for,
because that's really all that layer one is for,
just showing the position
of this background image.
Again, you know, if I turn off these images up here,
we see that that's the placement
and it was based on the placement that we saw here.
I can go back up here,
turn these on,
and because I've got all of these layers selected,
press Command T,
essentially groups them all together,
it doesn't group them,
but it connects them all together so that when I rotate,
everything is rotating at the same time.
I'm basically just going to put it right into the position of the other one, the one underneath.
It looks like it did.
Deselect.
And if I turn these off,
it's exact same position.
So again, I can turn off this background
and just turn on these top layers and I see them all.
So these layers basically can come in one, two,
three,
four, like that.
Kind of interesting, right?
And it might even be interesting later on in the animation to do something
where these two insect colors move together and then move apart.
One more thing I just want to do,
just to see what's going to happen here,
if I can create a little bit more value change in between these two colors.
I kind of like that in a way.
It's a little bit of sort of a fuzziness to it.
The contrast on the green side between the green and the inside square is much greater
than the contrast of value on the red side.
The insect color and the red are very similar in value.
So the contrast is low.
The value of the contrast is low.
The hue contrast is high,
but the value contrast is low.
So we don't see a whole lot of definition along this edge.
The green side has much more definition on this edge because the value contrast is higher.
So I'm just going to duplicate this layer,
layer four, the red layer,
and just see what happens if I change the color a little bit.
So I can go up to image now,
go to adjustments,
brightness, contrast, hue, saturation.
Let's just try this hue saturation and see what happens if I change the saturation slightly.
So now I'm bringing the saturation of that up.
It actually makes this inside color look
a little bit more green, right?
That's too much.
But we also want the insect color on
the green side still to look like the red background.
So if I saturate the red too much,
it's going to lose that sensation.
So I'm just going to bring it up just a little bit plus 10.
And to see the difference,
I'll just toggle between the layers.
There's the original layer.
There's the new layer.
Just slight difference.
Very, very slight difference.
I'll do the same thing with the green.
Duplicate the green layer and just see what happens if I go up to adjustments,
go down to hue, saturation,
and bring the saturation up again to about 10.
Actually on this side,
it's pretty interesting how I can bring the saturation of the green way up.
I don't want to go too far again because I still want that insect rectangle
on the red side and the green background on the right side to look similar.
This is pretty close right here.
That's pretty nice.
Maybe a little bit less.
Okay, we'll try that again
just to see the difference.
Very subtle.
So I'm going to get rid of the first green layer just so
I don't have it.
Get rid of this one as well.
The first red layer.
Yeah, just to kind of clean things up.
And I no longer need this layer here,
but I'm just going to keep it around.
So I'm going to drag
it down underneath my background.
Same thing with this placement layer.
I'll drag that down.
Same thing with the sketch layer.
Drag that down.
So now all I have on top,
I have the gray background, which is this.
I have the red layer here.
I have the green layer.
And then I have the two insect
colors on their own layers.
I'm going to save this.
This is my image and add typography to this.
But just in terms of its essential quality,
I think it's in pretty good shape.
When I add the type,
I may want to change the size of the image,
but I won't know that
until I add the type.
But basically, it's here.
And it does roughly follow that image of the sketch.
Save that.
Okay, I think that's it for this.
Now we're going to go on to making the other image,
which is the illusion of transparency and do a similar thing with that
on its own poster.
So we're going to end up with two images,
two different posters,
and then we'll work on the type treatments following that.
In this lesson, we developed a piece of work that demonstrates simultaneous contrast.
In the next lesson,
we'll develop another image that demonstrates the illusion of transparency.
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